Saturday, June 16, 2007

Know Thyself, and while you are at it...

"If you know yourself and your enemy, you will not fear battle.

"If you know yourself but not your enemy, you will lose a battle for every one that you win.

"If you do not know yourself and do not know your enemy, you will never see victory."

~ Sun Tzu, The Art of War

Friday, June 15, 2007

Watch Out for That Pen Name

Pen names are a long-honored tradition in Western literature. Sydney Porter wrote under the pen name “O. Henry.” Samuel Langhorne Clemens became famous as “Mark Twain.”

But you have to watch out these days if you are writing under a pseudonym. Especially if Hollywood is interested in your work.

Exhibit A -- A writer named "JT Leroy" catapults to stardom in 2000 with his explosive autobiography “Sarah,” the story of a kid growing up as the son of a West Virginia hooker turning tricks in truck stops.

It gets better – Soon JT Leroy is writing for the New York Times and Vanity Fair and calling the likes of Winona Ryder an Madonna his “friends.”

And better – In 2003, Antidote International Films Inc. (which produced movies like “Laurel Canyon” and “Thirteen”) options “Sarah” for $15,000 with the intention of turning it into a movie. The option is renewed next year for the same amount.

Then, the sky caves in – New York Times discloses that “JT Leroy” is nothing more than a pen name for Laura Albert, a mother and a little-known young novelist from Brooklyn Heights.

Result – Antidote wants all its money back since they made a contract with “JT Leroy” but Leroy does not exist.

Big mess. The case is still in court.

UPDATE (6/23/07)


Jury: novel bought by company fraudulent

By AMY WESTFELDT, Associated Press WriterSat Jun 23, 4:57 AM ET

To writer Laura Albert, her alter ego was a psychological necessity, but to jurors, the fictitious male prostitute JT LeRoy was a fraud. A Manhattan jury decided Friday that Albert had defrauded a production company that bought the movie rights to an autobiographical novel marketed as being based on LeRoy's life.

The federal jury, after a short deliberation, awarded $116,500 to Antidote International Films Inc.

Wednesday, June 13, 2007

The Art of Great Headlines

Writing great headlines is a true art. Some people I suspect are born with the knack of whipping up drop-dead perfect headlines at the drop of a hat. But then, to some extent, writing good headlines can be taught and learned as well.

Here is one time-tested venerable principle: make sure that your verb is somehow organically related to the core character, the main characteristics of the subject of the sentence, but it should be used in a DIFFERENT context.

Take for example this great headline by the New York Times (June 13, 2007):

"Casinos Go All In To Draw Asians" ... Perfect!

"Going all in" is a poker term and represents a situation in which a player risks everything. The writer could have said "Casinos Pull All Stops To Draw Asians"... or "Casinos Risk It All To Draw Asians" but it would not be the same. It would not have the same punch and the same juice.

Here the action phrase "going all in" is perfectly related to the "casinos." It is also used not in its traditional context of poker but in a new context of marketing. That unexpected cognitive shift injects power to the expression while still closely keeping our attention riveted to the gambling framework.

Contrast this power headline with a very weak one used by the Wall Street Journal again (by sheer coincidence?) to open a gambling story in its June 13, 2007 issue:

"What Happens in Vegas, Goes to China" (hello?)

We of course know where this headline is coming from -- it's a cutesy word play on the Vegas marketing slogan "What Happens in Vegas Stays in Vegas."

But to be aware of this "trick" is not enough to understand what the story is really about. What does it mean something "Going to China"? What is it that goes to China? It is not immediately clear.

For example, this lazy echo of a well-known slogan justifies us to wonder if "extramarital affairs" started in Vegas end up "in China" somehow? It misdirects our attention.

Then we read the accompanying subheader: "$2.2 Billion Casino Resort Is Part of New Push in Cotai To Lure Gamblers, Travelers"

O-kay... now we see what the header was talking about.

But if a header needs a subheader to be understood, then it is failing in its primary function of immediately communicating the core summary of the news story. Otherwise why open a story with a header at all?

More on this topic later on, with more practical tips for writing great headlines...

Screenwriting – Write Your Movie Backwards

Did you know that Dave Chase, the genius behind The Sopranos series, has visualized that shocking very last scene [screen going black for 10 seconds] a full three years ago? He carried that ending with him for three years. He must have realized the power of configuring his ending well in advance to settle the issue three years in advance.

Many successful movies would not add up to anything without their strong endings. Every scene is shaded and nuanced by the ending in one way or the other. As an art form with its own limitations, screenplays really are anchored by their last scenes.

Imagine, for example, the “Sixth Sense.” And think about its unexpected ending. Could any of the earlier scenes make any sense if the ending was different? Of course not.

Here is the “Ugur Akinci Method” (ahem!) of writing a screenplay without too much pain (“some pain” is unavoidable of course):

Here is the "Ugur Akinci Method" (ahem!) for writing a screenplay without too much pain ("some pain" is unavoidable of course):

1. First decide on what your ENDING will be.

2. Think your way backwards, all the way to the beginning of your script. Try to see the whole movie playing from beginning to the end in that little movie screen on the inside of your forehead.

3. Chop your story into 18 to 25 sequences.

4. Divide each sequence into 3 to 5 scenes.

5. Sit down and write the whole thing as quickly as possible from start to finish, without stopping for any reflection or self-criticism. The minute you stop and start "thinking" about it you will freeze forever and never get done.

6. Once you finish your 100 to 120 pages, you can re-write, edit and polish to your heart's content. Writing is rewriting. But "writing" -- and not the "rewriting" -- comes first.

Monday, June 11, 2007

Importance of Designing Simple Things Well

Good design is invisible. It works beautifully, seamlessly, does the job without a whimper.

Bad design, on the other hand, is everywhere! It sticks out like a pair of brown shoes under a black tux. It is in-your-face obvious.

The PT Cruiser that I have rented for the week made me realize once again how our daily lives get complicated for no other reason than bad design.

First, the window power buttons. Everyone who gets into a PT Cruiser searches for the window buttons in vain. Why? Because the designers of PT decided it would be a really “cute” idea to place all four window controls on the center of the dashboard!

So when you approach a gate toll and when you need to roll down your window in a hurry, don't panic. Just think about all the time and energy that went into an “innovation” that neither works nor is needed, and have some compassion.

Second, if you need to pop open your trunk lid from inside for easy loading and unloading of your grocery bags, forget about it. There is no pop-up button like you would have in 90% of all cars these days, that little and very useful button somewhere in the lower left side of the steering wheel.

You need to get down and insert your key into the trunk lock and open it manually every time you need to open your trunk. How's THAT for convenience?

And thirdly, watch out for the key itself because the PT designers placed the PANIC button right on the key, exactly where you would be grabbing it to unlock your doors and your trunk.

The result? On various occasions throughout the day you activate your car alarm without intending to. And if that is happening inside the tight space of an underground garage, the effect is all the more embarrassing and ear-splitting of course.

As American car manufacturers are wondering why Japanese and South Korean car makers are taking over the American market they should really pay attention to all these small things that either don't work or work with unpleasant results.

It's time they realize that “cute” is not always “friendly.”

Perhaps by taking such “design risks and challenges” they are trying to take a road less traveled and discover some new “aesthetic ground.”

Yet they should also remember what Jerry Seinfeld said about the matter: “Sometimes the road less traveled is less traveled for a reason.”

Sunday, June 10, 2007

FREE Copy for Non-Profits in Need

Good morning folks! This morning I woke up with a great inspiration.

If you are a 501(c)3 tax-exempt non-profit organization in need of non-commercial copy for a good charitable cause, yet you are in no position to pay the $75 to $200 hourly fees that most professional copy writers like myself regularly charge, then don't despair.

I've decided to donate each month a certain portion of my time to one such qualified organization on a first-come first-served basis. This would be my own small way of giving back to the world what I received so generously from it -- this precious gift of language and creative expression.

There is no gimmick, no fine-print, no nothing to this offer. It is exactly what it reads like.

If you are one such organization please write to me at writer111[REMOVE this first to prevent spam]@gmail.com and explain your situation and your need. If I think you qualify for my free copywriting offer, I would be happy and honored to be in your service, time permitting.

My thanks in advance for helping us make this world a better place to live, one correctly-chosen word and one well-turned phrase at a time.